{"id":1973,"date":"2025-04-30T14:54:59","date_gmt":"2025-04-30T12:54:59","guid":{"rendered":"https:\/\/isfp.cz\/2025\/?p=1973"},"modified":"2025-04-30T14:54:35","modified_gmt":"2025-04-30T12:54:35","slug":"diky-podpore-od-mezinarodni-komunity-hracu-shakuhachi-prichazi-15-a-zaroven-posledni-rocnik-isfp-v-plne-sile","status":"publish","type":"post","link":"https:\/\/isfp.cz\/2025\/cs\/uncategorized-cs\/diky-podpore-od-mezinarodni-komunity-hracu-shakuhachi-prichazi-15-a-zaroven-posledni-rocnik-isfp-v-plne-sile\/","title":{"rendered":"D\u00edky podpo\u0159e od mezin\u00e1rodn\u00ed komunity hr\u00e1\u010d\u016f shakuhachi p\u0159ich\u00e1z\u00ed 15. \u2013 a z\u00e1rove\u0148 posledn\u00ed \u2013 ro\u010dn\u00edk ISFP v pln\u00e9 s\u00edle!"},"content":{"rendered":"

International Shakuhachi Festival Prague je jedn\u00edm z pil\u00ed\u0159\u016f st\u00e1le rostouc\u00ed a pulzuj\u00edc\u00ed evropsk\u00e9 shakuhachi sc\u00e9ny. Od roku 2007 propojuje vzd\u011bl\u00e1v\u00e1n\u00ed, sympozium a koncerty \u0161pi\u010dkov\u00fdch um\u011blc\u016f z Japonska i cel\u00e9ho sv\u011bta. Od roku 2017 se kon\u00e1 jako bien\u00e1le \u2013 jednou za dva roky \u2013 co\u017e umo\u017enilo je\u0161t\u011b pe\u010dliv\u011bj\u0161\u00ed p\u0159\u00edpravu a d\u016fraz na kvalitu programu. ISFP je z\u00e1rove\u0148 jedin\u00fdm pravideln\u00fdm festivalem na sv\u011bt\u011b, kter\u00fd uv\u00e1d\u00ed d\u00edla pro shakuhachi a orchestr nebo velk\u00fd ensemble.<\/span><\/p>\n

Na za\u010d\u00e1tku roku 2025 v\u0161ak festival \u010delil v\u00e1\u017en\u00e9 finan\u010dn\u00ed krizi zp\u016fsoben\u00e9 \u0161krty ve ve\u0159ejn\u00e9m financov\u00e1n\u00ed.<\/span><\/p>\n

\u201eV jednu chv\u00edli jsme st\u00e1li p\u0159ed schodkem t\u00e9m\u011b\u0159 500 000 K\u010d a opravdu jsme zva\u017eovali, jestli m\u00e1 smysl festival v\u016fbec po\u0159\u00e1dat. Takov\u00e1 situace by v\u00fdrazn\u011b zas\u00e1hla n\u00e1\u0161 rodinn\u00fd rozpo\u010det,\u201c \u0159\u00edk\u00e1 Marek Kimei Matvija, um\u011bleck\u00fd \u0159editel a spoluzakladatel festivalu.<\/span><\/p>\n

\u201ePo n\u00e1ro\u010dn\u00fdch debat\u00e1ch jsme se rozhodli pro restrukturalizaci a z\u00e1rove\u0148 jsme se zav\u00e1zali, \u017ee dodr\u017e\u00edme sliby v\u016f\u010di um\u011blc\u016fm i v\u0161em, kter\u00e9 jsme b\u011bhem t\u0159\u00ed let p\u0159\u00edprav zapojili do tohoto kr\u00e1sn\u00e9ho projektu,\u201c pokra\u010duje Matvija. \u201eOslovili jsme tak\u00e9 komunitu, kter\u00e9 n\u00e1\u0161 festival slou\u017e\u00ed \u2013 doma i v zahrani\u010d\u00ed. Odezva n\u00e1s dojala. Laskavost a \u0161t\u011bdrost, kter\u00e1 k n\u00e1m proudila z cel\u00e9ho sv\u011bta, byla neuv\u011b\u0159iteln\u00e1.<\/span>
\n<\/span>D\u00edky podpo\u0159e od v\u00fdjime\u010dn\u00fdch jednotlivc\u016f, milovn\u00edk\u016f japonsk\u00e9ho um\u011bn\u00ed a Nadace Zem\u011bkv\u011bt je v\u0161e zachr\u00e1n\u011bno \u2013 festival se kon\u00e1!\u201c<\/span><\/p>\n

P\u0159esto\u017ee festival sn\u00ed\u017eil po\u010det \u010dlen\u016f t\u00fdmu a n\u011bkter\u00e9 n\u00e1klady, to nejd\u016fle\u017eit\u011bj\u0161\u00ed \u2013 v\u00fduka a koncerty \u2013 z\u016fst\u00e1v\u00e1 pln\u011b zachov\u00e1no.<\/span><\/p>\n

\u201eJde o posledn\u00ed ro\u010dn\u00edk a chceme, aby si ka\u017ed\u00fd odnesl jen ty nejkr\u00e1sn\u011bj\u0161\u00ed vzpom\u00ednky. Komunita si to zaslou\u017e\u00ed,\u201c dod\u00e1v\u00e1 Matvija.<\/span><\/p>\n

Od tradice k budoucnosti<\/b><\/h3>\n

Program ISFP 2025 propojuje duchovn\u00ed odkaz fl\u00e9tny shakuhachi se sou\u010dasnou hudbou a nazna\u010duje sm\u011b\u0159ov\u00e1n\u00ed n\u00e1stroje v 21. stolet\u00ed.<\/span><\/p>\n

Hlavn\u00edm hostem festivalu je soubor <\/span>The SHAKUHACHI 5<\/b>, kter\u00fd sdru\u017euje p\u011bt \u0161pi\u010dkov\u00fdch japonsk\u00fdch hr\u00e1\u010d\u016f z r\u016fzn\u00fdch \u0161kol: <\/span>Akihito Obama, Reison Kuroda, Kizan Kawamura, Akihisa Kominato<\/b> a <\/span>Ken-ichi Tajima<\/b>.<\/span><\/p>\n

Soubor oslovuje v\u00fdznamn\u00e9 sv\u011btov\u00e9 skladatele, aby tvo\u0159ili nov\u00e1 d\u00edla pro p\u011bt shakuhachi \u2013 jde o mimo\u0159\u00e1dn\u00fd a pr\u016fkopnick\u00fd po\u010din. V roce 2020, kr\u00e1tce po sv\u00e9m zalo\u017een\u00ed, z\u00edskali podporu od ISFP na prvn\u00ed objedn\u00e1vku skladby od <\/span>Daie Fujikury<\/b>. Od t\u00e9 doby soubor slav\u00ed \u00fasp\u011bchy s jejich st\u00e1le rostouc\u00edm reperto\u00e1rem. Dokonce se dostali na tituln\u00ed str\u00e1nku presti\u017en\u00edho magaz\u00ednu <\/span>H\u014dgaku Journal<\/b>, zam\u011b\u0159en\u00e9ho na japonskou hudbu.<\/span><\/p>\n

Na ned\u00e1vn\u00e9m World Shakuhachi Festivalu v Texasu si jejich interpretace skladby <\/span>Saras\u014dju<\/span><\/i> od <\/span>Akiry Nishimury<\/b> vyslou\u017eila ovace ve stoje a byla ozna\u010dena za vrchol cel\u00e9 akce.<\/span><\/p>\n

Na ISFP 2025 soubor uvede premi\u00e9ru nov\u00e9 skladby \u010desk\u00e9ho skladatele <\/span>Miroslava Srnky<\/b> v r\u00e1mci koncertu v presti\u017en\u00edm s\u00e1le <\/span>DOX+<\/b>.<\/span><\/p>\n

Propojen\u00ed koto a shakuhachi<\/b><\/h3>\n

Krom\u011b shakuhachi roste v Evrop\u011b i komunita hr\u00e1\u010d\u016f na <\/span>koto<\/b>, a to p\u0159edev\u0161\u00edm d\u00edky p\u016fsoben\u00ed <\/span>Naoko Kikuchi<\/b> a ned\u00e1vno zesnul\u00e9 <\/span>Makiko Goto<\/b>. Na ISFP 2025 povede Kikuchi t\u0159i studijn\u00ed skupiny pro koto. Dv\u011b z nich budou prob\u00edhat paraleln\u011b se skupinami shakuhachi veden\u00fdmi <\/span>Gunnarem Jinmei Linderem<\/b> a <\/span>Johnem Kaizanem Neptunem<\/b> \u2013 vznik\u00e1 tak unik\u00e1tn\u00ed prostor pro propojen\u00ed obou n\u00e1strojov\u00fdch sv\u011bt\u016f, jejich spole\u010dn\u00e9 hran\u00ed a v\u00fdm\u011bnu zku\u0161enost\u00ed v tradi\u010dn\u00ed i modern\u00ed hudb\u011b.<\/span><\/p>\n

Kikuchi se p\u0159edstav\u00ed tak\u00e9 v samostatn\u00e9m recit\u00e1lu. Festival t\u00edm vzd\u00e1v\u00e1 hold jej\u00ed virtuosn\u00ed h\u0159e a um\u011bleck\u00e9 osobnosti. V r\u00e1mci ve\u010dera zazn\u00ed nov\u00e1 skladba <\/span>Edwarda Mascall-Robsona<\/b> pro koto a shakuhachi. Vyvrcholen\u00edm recit\u00e1lu bude proveden\u00ed d\u00edla <\/span>Within Dreams, Without Dreams<\/b> od <\/span>Takashiho Yoshimatsu<\/b>, v n\u011bm\u017e Kikuchi doprovod\u00ed <\/span>Reison Kuroda<\/b> na shakuhachi.<\/span><\/p>\n

Z bambusu ke zvuku<\/b><\/h3>\n

Od roku 2019 je <\/span>John Kaizan Neptune<\/b> pravideln\u00fdm hostem ISFP. Tento pr\u016fkopn\u00edk jazzov\u00e9ho shakuhachi spojuje humor, hudebn\u00ed cit, technickou bravuru a v\u011bdeck\u00fd p\u0159\u00edstup k v\u00fdrob\u011b n\u00e1stroje. Jeho workshopy, kter\u00e9 jsou sou\u010d\u00e1st\u00ed doprovodn\u00e9ho programu festivalu, b\u00fdvaj\u00ed pravideln\u011b vyprod\u00e1ny.<\/span><\/p>\n

Na ISFP 2025 se Neptune a <\/span>Akihisa Kominato<\/b> p\u0159edstav\u00ed jako speci\u00e1ln\u00ed host\u00e9 koncertu <\/span>Robert Balzar Tria<\/b>.<\/span><\/p>\n

Mlad\u00ed m\u00ed\u0159\u00ed vp\u0159ed<\/b><\/h3>\n

Z\u00e1v\u011bre\u010dn\u00fd koncert festivalu s n\u00e1zvem <\/span>Wakamono<\/span><\/i> (v japon\u0161tin\u011b \u201eml\u00e1de\u017e\u201c) uvede <\/span>Orchestr BERG<\/b> pod veden\u00edm <\/span>Petra Vr\u00e1bela<\/b>. Program nab\u00eddne odv\u00e1\u017en\u00e9 nov\u00e9 skladby pro shakuhachi a velk\u00fd ans\u00e1mbl od \u010desk\u00fdch skladatel\u016f <\/span>Lucie P\u00e1chov\u00e9<\/b> a <\/span>Michaela Prokopa<\/b> (se s\u00f3listy <\/span>Kizanem Kawamurou<\/b> a <\/span>Ken-ichim Tajimou<\/b>) i d\u00edla japonsk\u00fdch autor\u016f <\/span>Sachie Kobayashi<\/b> a <\/span>Naoki Sakaty<\/b>.<\/span><\/p>\n

D\u011bdictv\u00ed a odkaz<\/b><\/h3>\n

Festival zalo\u017eili <\/span>Christopher Yohmei Blasdel<\/b>, <\/span>Vlastislav Matou\u0161ek<\/b> a <\/span>Marek Kimei Matvija<\/b>, p\u016fvodn\u011b jako <\/span>Letn\u00ed \u0161kolu shakuhachi Praha<\/span><\/i>. Z p\u016fvodn\u00edho form\u00e1tu, p\u0159ipom\u00ednaj\u00edc\u00edho hudebn\u00ed t\u00e1bor pro sd\u00edlen\u00ed z\u00e1kladn\u00edch dovednost\u00ed, se rychle vyvinul ambici\u00f3zn\u00ed festival stav\u00edc\u00ed shakuhachi do centra sou\u010dasn\u00e9ho kulturn\u00edho d\u011bn\u00ed.<\/span><\/p>\n

Ve spolupr\u00e1ci s um\u011blci z r\u016fzn\u00fdch \u017e\u00e1nr\u016f festival otev\u00edral t\u00e9mata jako zvukov\u00e1 krajina, glitch, ter\u00e9nn\u00ed nahr\u00e1vky, meditace zvukem, n\u00e1hoda \u2013 jak v r\u00e1mci japonsk\u00e9 hudby, tak mimo ni. Festival pomohl zp\u0159\u00edstupnit evropsk\u00e9mu publiku n\u011bkdy t\u011b\u017eko uchopitelnou japonskou hudebn\u00ed estetiku a p\u0159isp\u011bl k \u0161ir\u0161\u00edmu uzn\u00e1n\u00ed mistrovstv\u00ed hr\u00e1\u010d\u016f na shakuhachi.<\/span><\/p>\n

V posledn\u00edch ro\u010dn\u00edc\u00edch se festival zam\u011b\u0159il na hudbu 20. a 21. stolet\u00ed, v\u010detn\u011b d\u011bl skladatel\u016f jako <\/span>T\u014dru Takemitsu, Malika Kishino, Maki Ishii, Ry\u014dhei Hirose<\/b> a dal\u0161\u00edch, jejich\u017e hudba se v \u010cesku t\u00e9m\u011b\u0159 neuv\u00e1d\u00ed. ISFP se tak stal vlivnou kulturn\u00ed ud\u00e1lost\u00ed p\u0159esahuj\u00edc\u00ed hranice shakuhachi komunity.<\/span><\/p>\n

Spojen\u00ed tradice, dovednost\u00ed a sou\u010dasn\u00e9ho pohledu dalo festivalu jeho jedine\u010dn\u00fd charakter. A\u017e tato kapitola skon\u010d\u00ed \u2013 jako kdy\u017e padne star\u00fd strom \u2013 uvid\u00edme, kter\u00e1 semena zaset\u00e1 v jeho st\u00ednu vykl\u00ed\u010d\u00ed.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

International Shakuhachi Festival Prague je jedn\u00edm z pil\u00ed\u0159\u016f st\u00e1le rostouc\u00ed a pulzuj\u00edc\u00ed evropsk\u00e9 shakuhachi sc\u00e9ny. Od roku 2007 propojuje vzd\u011bl\u00e1v\u00e1n\u00ed, sympozium a koncerty \u0161pi\u010dkov\u00fdch um\u011blc\u016f z Japonska i cel\u00e9ho sv\u011bta. Od roku 2017 se kon\u00e1 jako bien\u00e1le \u2013 jednou za dva roky \u2013 co\u017e umo\u017enilo je\u0161t\u011b pe\u010dliv\u011bj\u0161\u00ed p\u0159\u00edpravu a d\u016fraz na kvalitu programu. ISFP je…<\/p>\n","protected":false},"author":3,"featured_media":1971,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_wp_rev_ctl_limit":""},"categories":[30,4],"tags":[],"_links":{"self":[{"href":"https:\/\/isfp.cz\/2025\/cs\/wp-json\/wp\/v2\/posts\/1973"}],"collection":[{"href":"https:\/\/isfp.cz\/2025\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/isfp.cz\/2025\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/isfp.cz\/2025\/cs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/isfp.cz\/2025\/cs\/wp-json\/wp\/v2\/comments?post=1973"}],"version-history":[{"count":1,"href":"https:\/\/isfp.cz\/2025\/cs\/wp-json\/wp\/v2\/posts\/1973\/revisions"}],"predecessor-version":[{"id":1974,"href":"https:\/\/isfp.cz\/2025\/cs\/wp-json\/wp\/v2\/posts\/1973\/revisions\/1974"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/isfp.cz\/2025\/cs\/wp-json\/wp\/v2\/media\/1971"}],"wp:attachment":[{"href":"https:\/\/isfp.cz\/2025\/cs\/wp-json\/wp\/v2\/media?parent=1973"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/isfp.cz\/2025\/cs\/wp-json\/wp\/v2\/categories?post=1973"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/isfp.cz\/2025\/cs\/wp-json\/wp\/v2\/tags?post=1973"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}