{"id":1112,"date":"2023-04-27T16:45:26","date_gmt":"2023-04-27T14:45:26","guid":{"rendered":"https:\/\/isfp.cz\/2023\/?p=1112"},"modified":"2023-05-09T13:46:51","modified_gmt":"2023-05-09T11:46:51","slug":"veronika-seidlova","status":"publish","type":"post","link":"https:\/\/isfp.cz\/2023\/en\/symposium-speakers\/veronika-seidlova\/","title":{"rendered":"Mgr. Veronika Seidlov\u00e1 Ph.D."},"content":{"rendered":"<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Veronika Seidlov\u00e1 earned her Ph.D. in anthropology at the Faculty of Humanities (FHS), Charles University in Prague (2016). Her dissertation is a multi-sited ethnographical study of a transnational flow of Vedic mantras. She is currently employed as an assistant professor at the FHS, Charles University in Prague. Veronika\u2019s articles have been published in the following journals: Journal of Urban Culture Research, N\u00e1rodopisn\u00e1 revue, and Urban People. She co-edited Music \u2013 Memory \u2013 Minorities: Between Archive and Activism (with Zuzana Jurkov\u00e1, 2020), and is also an author of the audio-text publication \u201cThe Forgotten Voice of the Jeruzal\u00e9msk\u00e1 Synagogue in Prague\u201d published by the Jewish Museum in Prague with the support of the Phonogramm-Archive of the Austrian Academy of Sciences (with Alexander Knapp, 2008). She was curator and head of the Center for Documentation of Popular Music and New Media in the National Museum \u2013 Czech Museum of Music.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:8963,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:65280},&quot;11&quot;:4,&quot;12&quot;:0,&quot;16&quot;:14}\">Veronika Seidlov\u00e1 earned her Ph.D. in anthropology at the Faculty of Humanities (FHS), Charles University in Prague (2016).<\/span><\/p>\n<p><!--more--><\/p>\n<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Veronika Seidlov\u00e1 earned her Ph.D. in anthropology at the Faculty of Humanities (FHS), Charles University in Prague (2016). Her dissertation is a multi-sited ethnographical study of a transnational flow of Vedic mantras. She is currently employed as an assistant professor at the FHS, Charles University in Prague. Veronika\u2019s articles have been published in the following journals: Journal of Urban Culture Research, N\u00e1rodopisn\u00e1 revue, and Urban People. She co-edited Music \u2013 Memory \u2013 Minorities: Between Archive and Activism (with Zuzana Jurkov\u00e1, 2020), and is also an author of the audio-text publication \u201cThe Forgotten Voice of the Jeruzal\u00e9msk\u00e1 Synagogue in Prague\u201d published by the Jewish Museum in Prague with the support of the Phonogramm-Archive of the Austrian Academy of Sciences (with Alexander Knapp, 2008). She was curator and head of the Center for Documentation of Popular Music and New Media in the National Museum \u2013 Czech Museum of Music.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:8963,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:65280},&quot;11&quot;:4,&quot;12&quot;:0,&quot;16&quot;:14}\">Her dissertation is a multi-sited ethnographical study of a transnational flow of Vedic mantras. She is currently employed as an assistant professor at the FHS, Charles University in Prague. Veronika\u2019s articles have been published in the following journals: Journal of Urban Culture Research, N\u00e1rodopisn\u00e1 revue, and Urban People. She co-edited Music \u2013 Memory \u2013 Minorities: Between Archive and Activism (with Zuzana Jurkov\u00e1, 2020), and is also an author of the audio-text publication \u201cThe Forgotten Voice of the Jeruzal\u00e9msk\u00e1 Synagogue in Prague\u201d published by the Jewish Museum in Prague with the support of the Phonogramm-Archive of the Austrian Academy of Sciences (with Alexander Knapp, 2008). She was curator and head of the Center for Documentation of Popular Music and New Media in the National Museum \u2013 Czech Museum of Music.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>TITEL OF PRESENTATION: <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Mantra behind the iron curtain&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:771,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:65280},&quot;11&quot;:4,&quot;12&quot;:0}\">Mantra Behind the Iron Curtain<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>ABSTRACT<\/p>\n<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;This paper is based on the analysis of data from biographical interviews with a sample of musicians, who are understood as key actors in starting the process of (sub)cultural representation of Hindu mantras in former Czechoslovakia during the Communist era, as they included elements of Hindu ritual chant in their own secular music practice on the alternative music scene. The interviews have been part of ethnomusicological research in which I track mantras (as an example of a heterogeneous local religious practice turned into a globalized spiritual music phenomenon) on their complicated path from India to the Czech Republic where this phenomenon was in general appropriated later and with different meanings than in the countries of Western Europe and North America because of a different geopolitical context. The paper explores musicians\u2019 narratives on the re-contextualization of the ritual chanting of the Hindu religion (officially and virtually non-existent in the Czechoslovak state with anti-religious totalitarian state ideology) by the secular alternative music scene (labeled as politically subversive), with the aim of achieving the altered state of consciousness and, in a broader sense, acquiring individual agency resistant to the dominant discourse.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:8963,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:65280},&quot;11&quot;:4,&quot;12&quot;:0,&quot;16&quot;:14}\">This paper is based on the analysis of data from biographical interviews with a sample of musicians, who are understood as key actors in starting the process of (sub)cultural representation of Hindu mantras in former Czechoslovakia during the Communist era, as they included elements of Hindu ritual chant in their own secular music practice on the alternative music scene. The interviews have been part of ethnomusicological research in which I track mantras (as an example of a heterogeneous local religious practice turned into a globalized spiritual music phenomenon) on their complicated path from India to the Czech Republic where this phenomenon was in general appropriated later and with different meanings than in the countries of Western Europe and North America because of a different geopolitical context. The paper explores musicians\u2019 narratives on the re-contextualization of the ritual chanting of the Hindu religion (officially and virtually non-existent in the Czechoslovak state with anti-religious totalitarian state ideology) by the secular alternative music scene (labeled as politically subversive), with the aim of achieving the altered state of consciousness and, in a broader sense, acquiring individual agency resistant to the dominant discourse.<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Veronika Seidlov\u00e1 earned her Ph.D. in anthropology at the Faculty of Humanities (FHS), Charles University in Prague (2016).<\/p>\n","protected":false},"author":4,"featured_media":1113,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_wp_rev_ctl_limit":""},"categories":[38],"tags":[],"_links":{"self":[{"href":"https:\/\/isfp.cz\/2023\/en\/wp-json\/wp\/v2\/posts\/1112"}],"collection":[{"href":"https:\/\/isfp.cz\/2023\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/isfp.cz\/2023\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/isfp.cz\/2023\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/isfp.cz\/2023\/en\/wp-json\/wp\/v2\/comments?post=1112"}],"version-history":[{"count":3,"href":"https:\/\/isfp.cz\/2023\/en\/wp-json\/wp\/v2\/posts\/1112\/revisions"}],"predecessor-version":[{"id":1289,"href":"https:\/\/isfp.cz\/2023\/en\/wp-json\/wp\/v2\/posts\/1112\/revisions\/1289"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/isfp.cz\/2023\/en\/wp-json\/wp\/v2\/media\/1113"}],"wp:attachment":[{"href":"https:\/\/isfp.cz\/2023\/en\/wp-json\/wp\/v2\/media?parent=1112"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/isfp.cz\/2023\/en\/wp-json\/wp\/v2\/categories?post=1112"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/isfp.cz\/2023\/en\/wp-json\/wp\/v2\/tags?post=1112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}